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"From at least Louis and Bebbe Barron's soundtrack for The Forbidden Planet onwards, electronic music—in particular synthetic timbre—has impersonated alien worlds in film" (Norman 2004, p. 32). Other recent developments included the Tod Machover composition Begin Again Again for "hypercello", an interactive system of sensors measuring physical movements of the cellist. Max Mathews developed the "Conductor" program for real-time tempo, dynamic, and timbre control of a pre-input electronic score. Morton Subotnick released a multimedia CD-ROM All My Hummingbirds Have Alibis.

While some were considered novelties and produced simple tones, the Telharmonium synthesized the sound of several orchestral instruments with reasonable precision. It achieved viable public interest and made commercial progress into streaming music through telephone networks. Following the foundation of electronics company Sony in 1946, composers Toru Takemitsu and Minao Shibata independently explored possible uses for electronic technology to produce music.

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Drum machines, also known as rhythm machines, also began being used around the late-1950s, with a later example being Osamu Kitajima's progressive rock album Benzaiten , which used a rhythm machine along with electronic drums and a synthesizer. In 1977, Ultravox's "Hiroshima Mon Amour" was one of the first singles to use the metronome-like percussion of a Roland TR-77 drum machine. In 1980, Roland Corporation released the TR-808, one of the first and most popular programmable drum machines. The first band to use it was Yellow Magic Orchestra in 1980, and it would later gain widespread popularity with the release of Marvin Gaye's "Sexual Healing" and Afrika Bambaataa's "Planet Rock" in 1982. The TR-808 was a fundamental tool in the later Detroit techno scene of the late 1980s, and was the drum machine of choice for Derrick May and Juan Atkins. The world's first computer to play music was CSIRAC, which was designed and built by Trevor Pearcey and Maston Beard in the 1950s.

These developments led to the growth of synth-pop, which after it was adopted by the New Romantic movement, allowed synthesizers to dominate the pop and rock music of the early 1980s until the style began to fall from popularity in the mid-to-end of the decade. Along with aforementioned successful pioneers, key acts included Yazoo, Duran Duran, Spandau Ballet, Culture Club, Talk Talk, Japan, and Eurythmics. In the late 1960s, pop and rock musicians, including the Beach Boys and the Beatles, began to use electronic instruments, like the theremin and Mellotron, to supplement and define their sound. Also in the late 1960s, the music duo Silver Apples and experimental rock bands like White Noise and the United States of America, are regarded as pioneers to the electronic rock and electronica genres for their work in melding psychedelic rock with oscillators and synthesizers. Filed in 1964 (See Drum machine#History), which he released as the FR-1 Rhythm Ace drum machine the same year.

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These techniques were used to compose soundtracks for several films in Germany and Russia, in addition to the popular Dr. Jekyll and Mr. Hyde in the United States. Experiments with graphical sound were continued by Norman McLaren from the late 1930s. Developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s. This paper proposes a channel sounder to measure the channel properties of an implantable device that transmits data from inside to outside the human body. The proposed channel sounder measures the receiving power of a signal transmitted from outside the human body.

While his initial experiments in tape-based composition were not widely known outside of Egypt at the time, El-Dabh is also known for his later work in electronic music at the Columbia-Princeton Electronic Music Center in the late 1950s. Beginning around the year 2000, some software-based virtual studio environments emerged, with products such as Propellerhead's Reason and Ableton Live finding popular appeal. Such tools provide viable and cost-effective alternatives to typical hardware-based production studios, and thanks to advances in microprocessor technology, it is now possible to create high-quality music using little more than a single laptop computer. Such advances have democratized music creation, leading to a massive increase in the amount of home-produced electronic music available to the general public via the internet. Software-based instruments and effect units (so-called "plugins") can be incorporated in a computer-based studio using the VST platform. Some of these instruments are more or less exact replicas of existing hardware (such as the Roland D-50, ARP Odyssey, Yamaha DX7, or Korg M1).

If mark images do not appear when viewing search results, clear the cache in the Internet browser. If you need detailed instructions for clearing the cache, contact Thank you. The statements, opinions and data contained in the journals are solely those of the individual authors and contributors and not of the publisher and the editor.

Sometimes it may be difficult to differentiate between analog and digital circuits as they have elements of both linear and non-linear operation. An example is the comparator which takes in a continuous range of voltage but only outputs one of two levels as in a digital circuit. Similarly, an overdriven transistor amplifier can take on the characteristics of a controlled switch having essentially two levels of output.

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The nightclubs were all totally different to ours, playing early electronic music. These example sentences are selected automatically from various online news sources to reflect current usage of the word 'electronic.' Views expressed in the examples do not represent the opinion of Merriam-Webster or its editors. Shahani is a student at Texas A&M University studying electronic systems engineering technology, a university spokesperson confirmed to CNN.

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They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises . Due to the complex nature of electronics theory, laboratory experimentation is an important part of the development of electronic devices. These experiments are used to test or verify the engineer's design and detect errors.

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